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Which is really a shame. Because the
movie or rather the idea behind the movie has a lot of potential. There
are glimpses of genius hidden here somewhere. Unfortunately they are
very well hidden and can actually not be found. And that's because the
movie indulges in hammering its point home. I don't think you always
have to be subtle, but you also have to be respectful to the viewers and
their intelligence.
The acting has its ups and downs too. The social commentary drowns in that as it does in the editing (or rather lack of it at times). Of course some would argue that it's necessary to have a scene go on for a very long time, so that the dread of a situation is felt by the viewer. And I would agree to that to a point. Because if you have scene after scene, that are telling the same story/point, you're way beyond proving a point, you're into boring territory. A shame, but maybe also a learning process for the next one
Storyline
Jill is obsessed with her new roommate Jennifer, a promiscuous and sexy hotshot in the LA Fashion scene. New to the city and recently single, Jill is unable to keep up as she binges and purges to stay thin; eventually hating herself and everyone around her. Her jealousy and rage spiral out of control -- Jennifer has everything, and Jill wants to be just like her. If Jill can't BE Jennifer, she must destroy her. Written by Anonymous
Plot Summary | Add Synopsis Plot Keywords: feminism | See All (1) »
Taglines: If Jill can't BE Jennifer, she must destroy her.
Genres: Drama | Thriller
Parents Guide: Add content advisory for parents »
Edit
After his girlfriend Nina dies in a car crash, Rob unsuccessfully attempts suicide. As he begins to overcome his grief, he falls in love with a coworker, Holly. Their relationship is ... See full summary »
Directors: Ben Blaine, Chris Blaine
Writers: Ben Blaine, Chris Blaine
Stars: Fiona O'Shaughnessy, Abigail Hardingham, Cian Barry
Details
Official Sites: Official Facebook | Official site
Country: USA
Language: English
Release Date: 13 March 2015 (USA)
Obsessed with her sexy roommate, Jill violently imprisons Jennifer in their apartment in a twisted attempt to bring them closer together.
Director: Patrick Kennelly
Writers: Sigrid Gilmer, Sigrid Gilmer | 2 more credits »
Stars: Bethany Orr,
Storyline
After his girlfriend Nina dies in a car crash, Rob unsuccessfully attempts suicide. As he begins to overcome his grief, he falls in love with a coworker, Holly. Their relationship is complicated when Nina, unable to find rest in the afterlife, comes back to life to sarcastically torment them whenever they have sex.
Plot Summary | Plot Synopsis Plot Keywords: love | grief | boyfriend girlfriend relationship | co worker | suicide attempt | See All (9) »
Taglines: A fucked up fairy tale
Genres: Comedy | Horror | Romance
Motion Picture Rating (MPAA)
Rated R for strong sexual content, nudity, bloody images, and language | See all certifications »
Parents Guide: Add content advisory for parents »
Edit
Details
Official Sites: Official site
Country: UK
Language: English
Release Date: 19 January 2016 (Japan) See more »
Company Credits
Production Co: Jeva Films, Charlie Productions, Casualties Bureau See more »
Show detailed company contact information on IMDbPro »
Technical Specs
Runtime: 98 min
Sound Mix: Dolby Digital
Color: Color
Aspect Ratio: 2.35 : 1
See full technical specs »
Edit
Did You Know?
Trivia
The fake blood used got so sticky the sheets would stick to the actors while filming. They solved the problem by adding lube to the fake blood. See more »
Frequently Asked Questions
This FAQ is empty. Add the first question.
User Reviews
Who is missing the boat
25 February 2016 | by mikekozel (Ecuador) – See all my reviews
The work is fresh, unique, and entertaining. It may not have the scope and depth of a great work, but it is certainly good. This is what is good. The photography is guided by an almost nostalgic staging, with the hard shots of a modern view as counterpoint. The sex scenes are so well shot that they are not pornographic, but all the stuff of modern soft porn is there. We are aroused, but the acts are blended with this crazy, complex mix of macabre and psychological challenge that move us away from banal voyeurism to actively dealing with the absurd position of the characters. The staging for the camera is right out of the 40's at times, and posed perfectly for effect. Great camera direction.
The actors give enough to make it work, and that says a lot for them, as this is a very tough film. It moves in a space between black comedy and drama, which is a dangerous place to put actors and camera, easy to bog down, go flat, or list from one genre to another. Acting would have to be light, with dramatic effect made by the mise en scene supporting the effort of the players. This can be said of any film, but in this film, it is a critical necessity. The camera gives us absurd without humor or pathos, simply the view expressing the element of the shot. Which leads to...
The score. This film could never be what it is without the brilliant sound craft. Score, and sound effects have become an other art form in the digital era, and carry a bigger, more fundamental role in creating motion picture work. This film owes lots to a really brilliant scoring, working precisely with the camera for cinematic affect.
This work must be taken as, not a giant, but certainly a shot at form and structure off the path, and done well. Hey, kids, don't try this at home.
Kerry Washington as Anita Hill
Wendell Pierce as Clarence Thomas
Zoe Lister-Jones as Harriet Grant
Erika Christensen as Shirley Wiegand
Jennifer Hudson as Angela Wright
Greg Kinnear as Joe Biden
Jeffrey Wright as Charles Ogletree
Bill Irwin as John Danforth
Eric Stonestreet as Kenneth Duberstein
Treat Williams as Ted Kennedy
Grace Gummer as Ricki Seidman
Dylan Baker as Orrin Hatch
Peter McRobbie as Alan K. Simpson
Daniel Sauli as Mark Paoletta
Kimberly Elise as Sonia Jarvis
Kristen Ariza as Judy Smith
Malcolm Gets as Arlen Specter
Production
Casting
On March 12, 2015, it was announced that Kerry Washington would star as Anita Hill in an HBO television film.[2] On April 28, Wendell Pierce was cast as Clarence Thomas.[3] On May 12, Eric Stonestreet joined as Kenneth Duberstein.[4] Greg Kinnear, Jennifer Hudson, and Jeffrey Wright were reported to have joined the cast as Joe Biden, Angela Wright, and Charles Ogletree on May 29.[5] On June 5, Bill Irwin and Treat Williams joined to portray John Danforth and Ted Kennedy.[6] Later that same day, Erika Christensen, Cobie Smulders, Dylan Baker, and Grace Gummer were cast as Shirley Wiegand, Harriet Grant, Orrin Hatch, and Ricki Seidman, respectively.[7] On June 16, Kimberly Elise, Kristen Ariza, and Malcolm Gets joined the cast as Sonia Jarvis, Judy Smith, and Arlen Specter, respectively.[8] On July 2, Daniel Sauli was cast as Mark Paoletta.[9] On July 9, it was reported that Smulders had exited the film due to her breaking her leg; Zoe Lister-Jones was then confirmed to replace her in the role of Harriet
The acting has its ups and downs too. The social commentary drowns in that as it does in the editing (or rather lack of it at times). Of course some would argue that it's necessary to have a scene go on for a very long time, so that the dread of a situation is felt by the viewer. And I would agree to that to a point. Because if you have scene after scene, that are telling the same story/point, you're way beyond proving a point, you're into boring territory. A shame, but maybe also a learning process for the next one
Storyline
Jill is obsessed with her new roommate Jennifer, a promiscuous and sexy hotshot in the LA Fashion scene. New to the city and recently single, Jill is unable to keep up as she binges and purges to stay thin; eventually hating herself and everyone around her. Her jealousy and rage spiral out of control -- Jennifer has everything, and Jill wants to be just like her. If Jill can't BE Jennifer, she must destroy her. Written by Anonymous
Plot Summary | Add Synopsis Plot Keywords: feminism | See All (1) »
Taglines: If Jill can't BE Jennifer, she must destroy her.
Genres: Drama | Thriller
Parents Guide: Add content advisory for parents »
Edit
After his girlfriend Nina dies in a car crash, Rob unsuccessfully attempts suicide. As he begins to overcome his grief, he falls in love with a coworker, Holly. Their relationship is ... See full summary »
Directors: Ben Blaine, Chris Blaine
Writers: Ben Blaine, Chris Blaine
Stars: Fiona O'Shaughnessy, Abigail Hardingham, Cian Barry
Details
Official Sites: Official Facebook | Official site
Country: USA
Language: English
Release Date: 13 March 2015 (USA)
Obsessed with her sexy roommate, Jill violently imprisons Jennifer in their apartment in a twisted attempt to bring them closer together.
Director: Patrick Kennelly
Writers: Sigrid Gilmer, Sigrid Gilmer | 2 more credits »
Stars: Bethany Orr,
Storyline
After his girlfriend Nina dies in a car crash, Rob unsuccessfully attempts suicide. As he begins to overcome his grief, he falls in love with a coworker, Holly. Their relationship is complicated when Nina, unable to find rest in the afterlife, comes back to life to sarcastically torment them whenever they have sex.
Plot Summary | Plot Synopsis Plot Keywords: love | grief | boyfriend girlfriend relationship | co worker | suicide attempt | See All (9) »
Taglines: A fucked up fairy tale
Genres: Comedy | Horror | Romance
Motion Picture Rating (MPAA)
Rated R for strong sexual content, nudity, bloody images, and language | See all certifications »
Parents Guide: Add content advisory for parents »
Edit
Details
Official Sites: Official site
Country: UK
Language: English
Release Date: 19 January 2016 (Japan) See more »
Company Credits
Production Co: Jeva Films, Charlie Productions, Casualties Bureau See more »
Show detailed company contact information on IMDbPro »
Technical Specs
Runtime: 98 min
Sound Mix: Dolby Digital
Color: Color
Aspect Ratio: 2.35 : 1
See full technical specs »
Edit
Did You Know?
Trivia
The fake blood used got so sticky the sheets would stick to the actors while filming. They solved the problem by adding lube to the fake blood. See more »
Frequently Asked Questions
This FAQ is empty. Add the first question.
User Reviews
Who is missing the boat
25 February 2016 | by mikekozel (Ecuador) – See all my reviews
The work is fresh, unique, and entertaining. It may not have the scope and depth of a great work, but it is certainly good. This is what is good. The photography is guided by an almost nostalgic staging, with the hard shots of a modern view as counterpoint. The sex scenes are so well shot that they are not pornographic, but all the stuff of modern soft porn is there. We are aroused, but the acts are blended with this crazy, complex mix of macabre and psychological challenge that move us away from banal voyeurism to actively dealing with the absurd position of the characters. The staging for the camera is right out of the 40's at times, and posed perfectly for effect. Great camera direction.
The actors give enough to make it work, and that says a lot for them, as this is a very tough film. It moves in a space between black comedy and drama, which is a dangerous place to put actors and camera, easy to bog down, go flat, or list from one genre to another. Acting would have to be light, with dramatic effect made by the mise en scene supporting the effort of the players. This can be said of any film, but in this film, it is a critical necessity. The camera gives us absurd without humor or pathos, simply the view expressing the element of the shot. Which leads to...
The score. This film could never be what it is without the brilliant sound craft. Score, and sound effects have become an other art form in the digital era, and carry a bigger, more fundamental role in creating motion picture work. This film owes lots to a really brilliant scoring, working precisely with the camera for cinematic affect.
This work must be taken as, not a giant, but certainly a shot at form and structure off the path, and done well. Hey, kids, don't try this at home.
Kerry Washington as Anita Hill
Wendell Pierce as Clarence Thomas
Zoe Lister-Jones as Harriet Grant
Erika Christensen as Shirley Wiegand
Jennifer Hudson as Angela Wright
Greg Kinnear as Joe Biden
Jeffrey Wright as Charles Ogletree
Bill Irwin as John Danforth
Eric Stonestreet as Kenneth Duberstein
Treat Williams as Ted Kennedy
Grace Gummer as Ricki Seidman
Dylan Baker as Orrin Hatch
Peter McRobbie as Alan K. Simpson
Daniel Sauli as Mark Paoletta
Kimberly Elise as Sonia Jarvis
Kristen Ariza as Judy Smith
Malcolm Gets as Arlen Specter
Production
Casting
On March 12, 2015, it was announced that Kerry Washington would star as Anita Hill in an HBO television film.[2] On April 28, Wendell Pierce was cast as Clarence Thomas.[3] On May 12, Eric Stonestreet joined as Kenneth Duberstein.[4] Greg Kinnear, Jennifer Hudson, and Jeffrey Wright were reported to have joined the cast as Joe Biden, Angela Wright, and Charles Ogletree on May 29.[5] On June 5, Bill Irwin and Treat Williams joined to portray John Danforth and Ted Kennedy.[6] Later that same day, Erika Christensen, Cobie Smulders, Dylan Baker, and Grace Gummer were cast as Shirley Wiegand, Harriet Grant, Orrin Hatch, and Ricki Seidman, respectively.[7] On June 16, Kimberly Elise, Kristen Ariza, and Malcolm Gets joined the cast as Sonia Jarvis, Judy Smith, and Arlen Specter, respectively.[8] On July 2, Daniel Sauli was cast as Mark Paoletta.[9] On July 9, it was reported that Smulders had exited the film due to her breaking her leg; Zoe Lister-Jones was then confirmed to replace her in the role of Harriet